【论文摘要】：白流苏作为张爱玲《倾城之恋》中“穷遗老的女儿”兼都市型女性代表的旧式女性形象，同时也是张爱玲对女性价值和地位透视与探析的典型产物。本文将结合中国传统宗法父权社会体制，以白流苏的‘出走’和‘归来’为主轴，对白流苏在生存困境中对情爱婚姻的艰难抉择及复杂纠结的心理活动进行了细致的描写，努力复原作为一位年轻寡妇在封建传统礼教背景下，在新旧社会交替时面临的尴尬处境。从而展现一个有着强烈“自救”精神的旧式女性在自我角色追求时面临的困惑，然后深深反思究竟是社会道德价值评判规则在演进过程中对人的动摇还是女性自我独立意识觉醒不得不遭遇的瓶颈。
【关键词】： 白流苏 自我价值 父权社会 自救
Abstract: white tassels as Zhang Ailing, "Love in the City" in the "poor survivors of the daughter," and representatives of the old city-based women's image of women is also Ailing perspective on the value and status of women and of typical products. This will combine the traditional patriarchal social system, white fringed 'exodus' and 'return' as the main, white tassels on the plight of love in marriage survive the difficult choices and complex tangle of psychological activities of the detailed description of efforts to recovery as a young widow in the context of the feudal tradition, decency and propriety, in the face at the alternative embarrassing situation. To show a country with a strong "self" spirit of the old women face in the pursuit of self-role confusion, and deeply reflect on whether the moral values of society judge rules on the evolution of human self-shake and women have experienced the awakening sense of independence bottleneck.
Key words: white tassels; self-worth; patriarchal society; self
