试论曹禺的悲剧观念

论文编号:HY618  论文字数:6551,页数:07

目  录
 
 
 摘要、关键字…………………………………………………………………………………….1
 英文摘要、关键字……………………………………………………………………….………1
 一、悲剧………………………………………………………………………………………….1
 1.1悲剧的本质…………………………………………………………………………………..1
 1.2.曹禺对本剧的认识和理解…………………………………………….1
 二、曹禺悲剧的集中体现………………………………………………….2.
 2.1.曹禺悲剧作品中对于女性的描写…………………………………….2
 2.2.希腊悲剧对于曹禺的影响…………………………………………...2
 三、曹禺悲剧创作的民族化特征………………………………………….3
 四、总述…………………………………………………………………...4
 注释……………………………………………………………………………………………….5
 参考文献……………………………………………………………………………………….…6
试论曹禺的悲剧观念

[摘 要] 19世纪30年代，中国现代话剧历史上，出现了一位大师级的剧作家：曹禺。他是以一系列杰出的悲剧创作著称于世的。他的悲剧创作的成功经验与奥秘，很值得认真总结与探究。构建他的一部部悲剧大厦的柱石——他的丰富而深刻的悲剧观念，尤其应该总结与探究。这不仅是深化中国悲剧理论建设的需要，而且对增强悲剧创作的思想深度和文化底蕴，将当代悲剧艺术创作提高到一个新的水准与境界，更是具有诸多可资借鉴之处。
[关键词] 悲剧；悲剧观念；曹禺的悲剧观念
 
 
Abstract: In 1930s, there has been a playwright master appeared in the history of modern Chinese drama, Cao Yu. He is well known to the world by writing a series of outstanding tragedy. It is worthy to inquiry and study his successful experience and the mystery of the tragedy creation. In particular, people should summarize and explore the pillars of all his great tragedies, his rich and profound tragedy concept. This is not only the need to enrich the Chinese tragedy theory, it also offers us a lot of knowledge about enhancing the tragedy creation thought level and the culture background, raising the tragedy creation level to a new stage. Keywords: tragedy; Tragic Conception; Cao Yu's concept of tragedy