我国配音的兴起背景

摘要

2018年湖南卫视首次推出原创真人秀节目《声临其境》，该电视节目因创新、专业和文化的特性深深受到观众的欢迎。同时它的成功也引起了人们的广泛关注，引发了网上和线下的激烈讨论。《声临其境》细分制作音频语言节目，以配音为核心进行设计，使声音成为节目的主题。让声音重塑角色形象，使语言类的艺术不断注入新鲜的血液，令人耳目一新。但同时，这种声音类的节目细分为配音类，也是承受了一个巨大的风险。起飞后很难满足单声表演的多种感官享受。本文主要分析了我国真人秀和配音的背景，分析了“声临其境”节目的形态，总结了该节目的创新和成果。

关键词：声临其境；节目形态；配音；真人秀；

Abstract

In 2018, Hunan Satellite TV's original reality show "Sound in the Land" was welcomed by the audience for its innovation, professionalism and culture. Its success has attracted widespread attention and triggered heated discussions both online and offline. "Sound on the spot" subdivides and produces audio language programs, and broadcasts with dubbing as the core, making sound the protagonist of the program. Through the sound of the program to reshape the role image of guests, classical art continues to inject fresh vitality, refreshing. But at the same time, subdividing audio language programs into dubbing levels is also a huge risk. It is difficult to satisfy the multiple sensory enjoyment of monophonic performances after takeoff. This paper mainly analyses the background of reality show and dubbing in China, analyses the form of "voice on the spot" program, and summarizes the innovation and achievements of the program.

Key： wordsSound imminent; program form; dubbing; reality show;

目录

一、绪论 1

（一）研究背景 1

（二）研究有意义 1

（三）相关概念界定 1

1.真人秀节目概述 1

2.节目形态 2

二、我国配音的兴起背景与《声临其境》栏目概述 3

（一）我国配音的兴起背景 3

（二）《声临其境》栏目概述 3

三、《声临其境》节目的形式解析 4

（一）节目定位，原创综艺 4

（二）寓教于乐，有声语言 4

（三）以人为本，嫁接结构 5

四、《声临其境》创新以及成就 5

（一）只闻其声，不见其人 5

（二）魔力之声，耳目一新 6

（三）声身合一，科技大秀 6

（四）致敬经典，传承敬畏 7

五、结论 7

参考文献 8