摘 要
《西厢记》和《牡丹亭》都是反映青年男女冲破封建礼教的束缚和追求自由爱情理想、反对封建专制的优秀剧作。本文分四个部分对崔莺莺和杜丽娘的形象进行比较。首先分析她们各自的形象,给人一个整体上的认识;其次从她们所处的社会背景、生活环境入题,证实环境与人物性格的关系;再次浅析她们叛逆形象的异同,分别从年龄、感情、性欲和叛逆性格等方面进行综合性的比较;最后揭示出崔莺莺和杜丽娘超越传统意识的叛逆性格所具有的深刻内涵。
关键词:外貌;成长;作者;环境;比重
Abstract
Both 《The Romance of West Chamber》 and 《The Peony Pavilion》 are the mirror to reflect how lovers who struggle to abandon the tie of the system of feudalism and pursue the free love. In balance, it,s a excellent play. It is divided 4 parts to compare Cuiyingying and Duliniang. First, I will analyse their own figure, so that will present an entire cognition; secondly, their social backgrounds: Yuan dynasty and Ming dynasty will be chosen to confirm the reason why they have such different temperaments; thirdly ,from their age,emotion,sexual appetite and their rebel nature and so on to compare to distinguish the difference; and the last but not the least, I will reveal the sublimation from Cuiyingying and Duliniang. That,s all.
Key words: figure;growth;writer;background;proportion