摘要:《霸王别姬》是中国民族传统文化的经典作品之一，如今这四个字已演化成了多种含义与形式，本文通过对陈凯歌所指导的这部影片，首先阐述了影片主题，其次来探究中国文化转型中的“民族化”与“现代化”在片中的具体体现，分别由京剧文化、人学文化、人文文化、导演风格四个部分构成，并就此将名家见解和个人见解融合，意在说明这部影片是如何在影视行业面临“全球化”的压力下顺利地完成转型，目的是既要看到我国民族传统文化优秀的一面，也要意识到我们的不足甚至是所犯下的严重错误，同时找出《霸王别姬》在影片题材把握和运用电影语言方面的一些独到经验，最终是要指明在有关中国传统文化题材的处理上应注意的问题和把握的方向，总之，我们要坚定信念，多拍出如《霸王别姬》这样的优秀影片。
关键词：中国；影视文化；转型；民族化；现代化
STUDY ON NATIONALISM AND MODERMISM OF CHINESE CULTURE FROM FAREWELL MY CONCNBINE
Abstract: "Farewell, My Concubine" is the traditional culture of the classic one, and now the words have evolved into a variety of meanings and forms, this article on the film directed by Chen Kaige, the first theme described the film , followed by the transformation of Chinese culture to explore the "nationalization" and "modernization" in the concrete embodiment of the film, by the Peking Opera culture, human learning culture, human culture, style director of four parts, and this will be masters of opinion and personal view integration, is intended to explain how the film industry in the film face of "globalization" under the pressure of the successful completion of restructuring, aimed not only to see the fine traditional culture of our national side, should be aware of our shortcomings and even committed a serious error, and find the "Farewell My Concubine" in the understanding and application of film themes and language in some of the unique experience of ultimate goal is to specify the subjects in the treatment of traditional Chinese culture should pay attention to the problems and grasp the direction of In short, we should strengthen our faith, multi-shoot such as "Farewell My Concubine," this excellent film.
Key words：China; film culture; transformation; nationalization; modernization
目 录
绪论 1
一、《霸王别姬》影视文化的魅丽： 1
（一） 千古绝唱——《霸王别姬》 1
（二） 影片的重要主题——迷恋与背叛 1
二、从《霸王别姬》分析中国当代影视文化转型的“两化” 2
（一） 从《霸王别姬》看中国当代影视文化转型的“民族化” 2
1. 中国影视文化与戏曲文化的珠联璧合 2
2. 从镜像中折射出的人性的光辉和龌龊 2
3. 在《霸王别姬》里镶嵌着的中国民族文化内涵 4
4. 从黄土地上生长出来的中国第五代导演 5
(二) 从《霸王别姬》看中国当代影视文化转型的“现代化” 5
1. 从艺术电影到商业电影的风格转变 6
2.《霸王别姬》中电影手法运用的继往开来 7
3.《霸王别姬》的国际化运作 7
三、认真把握好中国当代影视文化转型的两化关系 8
四、结论 8
致谢 9
参考文献 10
